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They were paid more and formed a separate guild that often put them at odds with pressmen.
As technology created more advanced presses, a general rise in skills was required for all workers involved in printing.
Exceptions were women in the imperial family, who were often given the name Julia (especially wives of the emperor, but occasionally sisters and mothers as well)(German, Dutch, from Prallen, literally 'to rebound') or Pralltriller, an upper or inverted mordent, a melodic embellishment consisting of the quick alternation of a principal tone with an auxiliary tone above it, usually the next of the scalebefore the nineteenth century, the pralltriller was an ornament that occurred only after a descending second (i.e.
the note that is ornamented with the trill must be preceded by the note one diatonic step higher).
It was a personal appellation given to a male infant on his day of lustration.
Stein used the Viennese hopper, or Prellmechanik (escapement) action, which was similar to Silbermann's.
However, a distinctive feature of Stein's instruments was the innovation (whether or not he invented it is uncertain) of replacing the stationary rail with individual spring-loaded excapement levers, one for each key(from the Latin praeludium, literally 'a piece played before another') a piece that is played before another piece or group of pieces, serving as an introduction, in the case of J. Bach (1685-1750), for example in the Well-Tempered Clavier, to a fugue in the same key(French m.) particularly associated with Louis Couperin (1626-1661), harpsichord versions of the improvisational meanderings with which the great French lutenists, Charles Mouton (1617-1699), François Dufaut (c.1604-c.1672) and Ennemond Gauthier (1575-1651), might begin their performances.
In the earliest period, praenomina had female versions, which often end in -a (thus, Larthia for Larth).
By the time of the historically attested Republic, women no longer normally had praenomina.